Jammu University NON CBCS Music 2nd Semester Previous Year Question Paper PDF
Music under the NON CBCS system at Jammu University offers a comprehensive study of both theoretical and practical aspects of Indian classical music. The 2nd Semester focuses on advanced music theory, history of Indian music, detailed raga studies, and practical performance skills, building upon the foundational knowledge gained in the first semester.
Section A consists of 10 short-answer questions (1 mark each) covering basic musical terms, definitions, historical facts, and notation systems.
Section B requires detailed explanations (6 marks each) on topics like raga characteristics, tala structures, musical forms, and biographies of musicologists.
Section C features comprehensive questions (15 marks each) demanding in-depth analysis of ragas, comparative studies, historical evolution, and practical applications of musical concepts.
The examination emphasizes both theoretical understanding and practical application. Students are expected to demonstrate knowledge of musical notation (both Bhatkhande and Vishnu Digambar systems), ability to identify ragas from given phrases, understanding of tala structures, and historical context of musical development in India.
Key areas of focus include detailed study of prescribed ragas, understanding of musical forms (dhrupad, khayal, thumri), biographies of important musicians, evolution of Indian music through different historical periods, and practical aspects of voice culture and instrument playing techniques.
🎵 Download Music 2nd Semester Previous Year Question Paper
Access complete previous year papers with notations, raga analysis, and practical examination patterns
⏳ Download will start in: 10 seconds
File Size: 3.2 MB | Format: PDF | Includes: 2015-2026 Papers + Musical Notations + Raga Analysis
🎼 Course Structure & Syllabus Breakdown
📋 Course Overview
- Program: B.A. Music (NON CBCS) - Vocal/Instrumental
- Semester: 2nd
- University: University of Jammu
- Course Code: MUS-102 / MUS-202
- Total Marks: 100 (Theory: 50, Practical: 50)
- Duration: 3 Hours (Theory)
- Specialization: Hindustani Classical Music
📖 Unit-wise Syllabus
| Unit | Topics & Content | Marks |
|---|---|---|
| Unit I | Music Theory & Notation: Detailed study of swara and shruti, Concept of thaat and raga, Notation systems: Bhatkhande and Vishnu Digambar, Writing compositions in notation, Time theory of ragas | 15 |
| Unit II | Raga Studies: Detailed study of prescribed ragas: Yaman, Bhairav, Bhimpalasi, Malkauns, Structure, characteristics, aroha-avaroha, pakad, vadi-samvadi, chalan, Important compositions in each raga | 15 |
| Unit III | Tala & Musical Forms: Detailed study of talas: Teental, Jhaptal, Rupak, Ektal, Keherwa, Dadra, Musical forms: Dhrupad, Khayal, Thumri, Tappa, Bhajan, Ghazal, Structure and characteristics of each form | 10 |
| Unit IV | History of Indian Music: Evolution from Vedic period to present, Contribution of medieval musicians: Amir Khusro, Tansen, Swami Haridas, Modern period: Vishnu Digambar Paluskar, V.N. Bhatkhande, Contemporary trends in Indian music | 10 |
📊 Examination Pattern
Theory Paper (50 marks)
- Section A: 10 short questions × 1 mark = 10
- Section B: 5 out of 7 questions × 4 marks = 20
- Section C: 2 out of 4 questions × 10 marks = 20
Practical Examination (50 marks)
- Vocal/Instrumental performance = 30
- Sight reading of notation = 10
- Tala demonstration = 10
🎵 Prescribed Ragas & Their Details
Evening Ragas
- Yaman (Kalyan Thaat): Aroha: N R G M D N Sáµ€, Avaroha: Sáµ€ N D P M G R S, Time: First prahar of night
- Bhimpalasi (Kafi Thaat): Aroha: S g m P n Sáµ€, Avaroha: Sáµ€ n P m g R S, Time: Afternoon (2-5 PM)
- Malkauns (Bhairavi Thaat): Aroha: S g M d n Sáµ€, Avaroha: Sáµ€ n d M g M g S, Time: Late night
Morning Ragas
- Bhairav (Bhairav Thaat): Aroha: S r G M P d N Sáµ€, Avaroha: Sáµ€ N d P M G r S, Time: Early morning
- Ahir Bhairav (Bhairav Thaat): Blend of Bhairav and Kafi, Time: Morning
Talas Prescribed
- Teental: 16 beats (4+4+4+4)
- Jhaptal: 10 beats (2+3+2+3)
- Rupak: 7 beats (3+2+2)
🎤 Major Musical Forms in Hindustani Classical
Dhrupad
Oldest form, religious themes, alap-dhrupad composition, four parts
Khayal
'Imagination', romantic themes, vilambit-drut, most popular form
Thumri
Light classical, romantic/emotional, bol banao, popular in Kathak
Tappa
Fast tempo, Punjab origin, camel riders' songs, tricky taans
🎼 Essential Musical Terminology
Swara Concepts
Shruti, Swara, Saptak, Komal, Teevra, Achal, Vadi, Samvadi, Anuvadi, Vivadi
Raga Elements
Aroha, Avaroha, Pakad, Chalan, Jati, Time theory, Ras, Gharanas
Tala Components
Matra, Vibhag, Tali, Khali, Theka, Lay, Layakari, Avartan
Performance Terms
Alap, Taan, Bol-taan, Meend, Gamak, Khatka, Murki, Sargam
💼 Career Opportunities in Music
Music graduates from Jammu University have diverse career options:
💡 Pro Tip: Regular riyaz (practice) is essential for both theory and practical. Record your practice sessions to identify areas for improvement. Attend live concerts and listen to master recordings regularly. Create visual aids like raga mapping charts and historical timelines. For notation practice, write compositions in both systems daily. Remember that understanding the emotional content (rasa) of ragas is as important as technical knowledge.